
When I was in college, I had to take all sorts of writing classes, including a somewhat terrifying class on screenwriting. In the beginning I dreaded the countless exercises, discussions and on-the-spot challenges our teacher would put us through, but after a while, I started to enjoy it. Three years later, I have yet to finish my screenplay. However, I learned a lot about screenwriting that I think can easily be adapted for those of us working on novels. Here are my two best learn-from-screenwriters tips:
1. Consider the setting in which we first meet a character. In movies, you can't successfully introduce a new character by giving lots of background information. You have to tell the audience something about your character by having him do something specific in a particular place. Here's an example: In your novel, you might be tempted to say that Bob is a musician, and that he's played guitar for 20 years. In stead, you could introduce Bob to your readers through a description of him sitting on the edge of a stage, changing the strings of his beaten, old guitar that has a Rolling Stones sticker on it. By letting the setting where your character is first introduced
say something about your character, you end up with colorful prose that shows, rather than tells.
2. Get in as late as you can, and get out as quick as possible. When writing a scene in your novel, try to imagine that your story is a movie, and that we don't have time to see your character waking up, getting dressed, making coffee, leaving the house, going to work etc. Movie scenes start where the action starts. If your character experiences conflict once she gets into work, start your scene when she sits down at her desk, not when she's brushing her teeth 45 minutes earlier. Then consider how soon you can get out of your scene. Don't let your magnificently constructed conflict peter out because you spend too long following your character after there is no more action in the scene. Get out as quick as you can, and move on to the next scene.